Obligatory Pool Episode
The last episode of Interviews With Monster Girls was indeed a pool episode and broke new ground in prurience with this uncensored frontal shot of Kyoko without a stitch on her.
" I LAUGH at your guillotine!"
I hope they do more in the coming years as this series really was a gem.
So...the latest episode of Interviews With Monster Girls addresses the nagging concern that Takahashi has become not so much the girl's counselor, as the driver of their short-bus. The sinister assistant principal's true motivation is revealed and Sakie, though forced to improvise, nevertheless achieves an important milestone in the...umm, subtle and cunning machinations she is plotting in pursuit of her goal.
In contrast to episode 7 and especially episode 10 which hinted at a much "bigger" storyline, episode 11 is focused primarily on character development and nicely portrays the considerable personal growth the entire ensemble cast has gone through, including fairly minor characters.
This episode really touched on everything that has made this show so refreshing. The students in this show, both human and demihuman are very believably written and their actions are both charming and realistic.
Within limits.
I'm unsure how many episodes this series is, but if it is a 12 episode run then this was a solid and reasonably satisfying finale. Of course there is at least one more episode. However, there are indications that that will be a beach or pool episode and therefore probably fanservice pandering best ignored in the context of this nearly sublime little series*.
One thing that stands out above even the stellar chraracterizations of the students is that of Takahashi Sensei. Here we have a male lead who is not only a gentleman that behaves in a professional and mature manner. He's a remarkably macho guy as well. In addition to being a science teacher, he's a weightlifter, and characters comment on how much he's bulked up recently. In any other show that would be a character trait of a buffoon, but Takahashi is stoic, disciplined, kind, perceptive, intelligent, intellectual and strong in both body and character. He epitomizes the male virtues and in a thoroughly positive way. That is a rare and welcome thing in this day and age.
Interviews With Monstergirls has been low key but engaging. and a thoroughly enjoyable ride that stresses the importance of actively engaging life lest wonders pass us by.
No. Twitter is not "engaging."
If you've missed it, watch it.
If you've seen it, discuss it.
*
Unless it includes a good deal of Sakie fanservice, in which case such an unwelcome (if predictable) development would indeed warrant thoughtful study and comprehensive analysis quite in isolation from its unwelcome effect on the tone of the show.
1
Confirmed 12 episodes; I just checked the schedules on two of the Japanese networks that air it (GTV: 3/25 'owari').
I'm figuring on a cold-water mountain spring for the "...want to swim" finale. They're going to need a lot of ice water to keep Takahashi-sensei rational after he sees Sakie in a swimsuit...
-j
Posted by: J Greely at Mon Mar 20 00:03:30 2017 (tgyIO)
2
As usual, I hitched my torrents to the wrong circle. It's getting so I can't trust anyone rated Blue.
Posted by: Mauser at Mon Mar 20 21:36:00 2017 (5Ktpu)
Posted by: Pete Zaitcev at Thu Mar 23 00:23:59 2017 (XOPVE)
4
Yes. Yes I did. That is exactly what I meant.
Thank you.
However, your comment now seems strange to casual readers as I've cunningly and sneakily modified the post.
Posted by: The Brickmuppet at Tue Mar 28 06:19:10 2017 (KicmI)
5
"A Runabout! I'll steal it!" One of my favorite bits from that cartoon.
(BTW, Spam comment is still there on your 10/10/16 post)
Posted by: Mauser at Tue Mar 28 21:40:23 2017 (5Ktpu)
The Means by Which Dulhallans Eat
...has yet to be addressed in this show, but despite that glaring omission, as of episode 7, Interviews With Monster Girls is mostly living up to the hype.
"No. We understand how it gets into your mouth, it's the step after that which has us confused."
A biologist whose PHD thesis on demi-humans was shot down due to a lack of any preternatural people to study, abandons his research and gets a job as a high school biology teacher. Years later, he is surprised to learn that his school has enrolled a dulhallan, a vampire and a snow-woman. He begins his research anew arranging interviews with the fantastical beings and with the help of a delightfully goofball math teacher, councils his students and watches as they cope with all those little awkward moments every high school kid goes through.
Well, in fairness, she could have been more clear.
This is a surprisingly well done story. Cute girls doing cute things in high school has been done a lot but this show has really good characterizations and despite the centrality of the monster-girls quirks....
"I will never really get used to that."
...they come off as some of the most believably characterized kids in a long time. Cast-wise it treads perilously close to harem territory, so it's very welcome that at least one of the schoolgirls has (maybe) a tentative romantic interest amongst the student body. It's even more welcome that the aforementioned delightfully goofball math teacher is around.
More welcome still in our decadent age is that this show actually stresses the virtuousness of men aspiring to arete' and thereby maintaining a stoic demeanor in stressful situations....
...and dealing with one's emotions in private so as not to bother others.
"!!!!!!!!!!!!!!!!!!!!!!!!!!"
Did I mention the delightfully goofball math teacher?
Interviews With Monstergirls is, despite its premise, surprisingly down to earth and well written.
Now there are tentative indications as of episode 7 that there might be more to the story than a high school slice of life show.
That could be disastrous, or it could be awesome. At this point, even if they brought in giant robots that trapped everyone in a video game, I'd still watch it for a couple of episodes to see what they did because I'm that enamored of these characters.
I'm just gonna recommend this one.
UPDATE : 72 Minutes and 3 episodes later:
Well, what do you know.
They do address the question of the day... Snerk...
Posted by: Wonderduck at Sun Mar 12 09:52:19 2017 (UDOXQ)
2
One ex-girlfriend was a nommer. They're out there. (She also had an aversion to bright sunlight and a mischievous personality, but fortunately, no need to metabolize hemoglobin. She was just an ex-goth...)
Posted by: Avatar_exADV at Sun Mar 12 13:40:10 2017 (v29Tn)
Flip Flappers: Belated Thoughts
Cute, whimsical, and thoughtful horror stories are kind of rare for some reason.
Flip Flappers is an exception, though after finally finishing the entire series, I find it still quite difficult to describe. The set-up is easy enough, Cocona is an honor student in high school and her ultimate goal is to...umm....be an honor student...
Life however, involves more than just studying for the test, and Cocona is trying to come to grips with the fact that the answer to "What career part do you intend to take?" Is not found in a book, or in any academic articles. Suddenly a crazy redhead named Papikka shows up with a comic relief robot and drags Cocona into a magical dimension to help them find...power crystals.
"Will this be on the test?"
Sadly, they don't keep the bunny ears, but they DO get time limited super powers accompanied by magical legware.
'dem stockings...
This is useful as well as stylistically fascinating because they do get into fights, with monsters as well as rivals.
Starting off as a (faux) magical girl show with an Alice in Wonderland vibe, it goes in a number of different directions to the point of seeming unfocused at times. However, there is a story here and the show is a surprisingly intelligent disquisition on the nature of identity, the blissful squalor of a utopia and the responsibility we all have for who and what we become.
The story does go to dark places as the characters explore their backstories
which most of them are quite surprised to learn about but the series, despite its breakneck pace and seemingly schizophrenic tone does come to a satisfying conclusion. In the process the series stays unpredictable and is never boring.
It is also high octane nightmare fuel. This show is genuinely terrifying at times,
(rarely moreso than when a character asks "Who am I?") and the story has more in common with Phillip K. Dick than Lewis Carrol.
It also gets bunny anatomy...wrong.
This was, however, a surprisingly enjoyable and thoughtful series and I recommend all 5 hours. It really was one of the best shows last year.
2
Hmmm, I added it to my CR queue, but didn't get past 4 or 5. I should get back to it, but I hardly hit CR. Hell, my torrent/view ratio is still horrible.
Posted by: Mauser at Sat Mar 11 00:11:26 2017 (5Ktpu)
3Flip Flappers is one of the best new series I've seen in a long while. The story is layered, with several twists and turns along the way, and it's grounded by a compelling cast including Maika Monroe, Evan Rachel Wood, and Christina Valdez. There are times when I watch an anime related to my research interests and feel as though it was made just for me. When that happens, I am immediately hooked because the creators know what they're doing: they're creating something that transports their https://studydemic.com/customwritings-com-review/ audiences into an alternate reality. That's how I felt about Flip Flappers — a world so far removed from ours that the differences become noticeable even before we start watching; this is something to be experienced rather than explained in detail (although there are some throwaway lines that hint at what lies ahead).
Posted by: Brenathis at Tue Nov 29 04:53:55 2022 (TUFKI)
RWBY Season 4 Ends
Well, we're two weeks late in our appraisal, but then, out of 12 full episodes, we managed no more than four other reviews this season as life's interventions caused a substantial delay in watching the show this time around.
Thankfully, it was worth the wait.
"See guys, it says here that we ROCK!"
At mid-season, RWBY's five disparate plotlines began to converge, but not as expected. Instead of having the groups all come together, the various plotlines converged in their tone, with 5 different flavors of existential dread being presented. These, counterintuitively, coincide with the show largely regaining its optimism.
Ruby herself does shine in this season, her pluck and optimism nicely complementing her asskickery. While there is a lot of stuff going on with other characters, at no point in this season do we ask "Hey...isn't there supposed to be a girl in red who is the protagonist?"
Weiss was the least directly traumatized by the horrors of season three's finale, but they dropped her right into the terrible situation that she had fled from three years ago. Weiss's arc this season is almost completely free from violence, but a half second slap manages to be the stuff of nightmares. What she must face is at least as disturbing as anything the others do. Fortunately she has vast reserves of awesome.
Aside from Weiss, Jaune probably wins the charachter development award, though it's a near run thing. He's still a bit out of his depth on the combat front, but he's shallowing rapidly.
We also learn that his upgraded sword now has at least one hidden trick, albeit of short duration and with drawbacks, but that pales in comparison to his growth as a leader and a person.
Blake's skittishness and paranoia are shown to be fully justified, and the show does a good job of portraying the depth of her character and the moral courage she has.
Blake and Sun are a cute couple, even when they argue.
If anyone got shortchanged, it was Yang, but her recovery was both believable and uplifting.
Then there is the farmboy, Oscar, whose predicament puts Ozpin in a whole new and deeply problematic light.
Athough it manages to be heartwarming in a bittersweet way, Ren and Nora's backstory turns out to be as dark as they come. Ren in particular has to cope with....oh wait...
What's this?
FINALLY!
Note that a screen-cap can't actually do justice to just how disturbing this monster is, so I'll just put this here.
Monty would be proud.
The next season looks to be the last and this finale tees it up perfectly. My only complaint at this point is that we've got 8 more months to wait for it.
UPDATE: Rereading the post, I should have mentioned that the ending of this season is not so much a finale, or a cliffhanger as a pause point in the story.
Posted by: The Brickmuppet at Sun Feb 19 20:25:58 2017 (KicmI)
3
Stopping in the middle of the story, which is almost as bad as a cliffhanger.
I mean, the story itself was good, what we got of it.
Posted by: Rick C at Sun Feb 19 22:42:06 2017 (ITnFO)
4
Oddly, my reaction was that there wasn't a whole lot happening, at least plot-wise, this season. It wasn't quite filler, but there was a lot of backstory and character bits. But in the end the plot boiled down to getting three of the four principals to the same town.
I'm also a little bugged that the grimm basically have a Borg Queen.
Posted by: Mauser at Sun Feb 19 23:42:57 2017 (5Ktpu)
5
I don't think that's what Salem is, unless you meant someone else.
Nonetheless, if we can get people to stop using that stupid "kill the queen and the army dies" trope, that'd be great. I just saw a movie that used that so-called plot this weekend.
Posted by: Rick C at Mon Feb 20 09:48:42 2017 (ECH2/)
6
Oh yeah, I am totally sick of the "Invading army comes with an Insta-win button" plot.
Posted by: Mauser at Mon Feb 20 23:10:38 2017 (5Ktpu)
7
I mean, I get that without that crutch, you can't just build suspense for an hour and 45 minutes and then set up a nice, clean ending in the last 5, but still. How about a little originality?
Posted by: Rick C at Tue Feb 21 00:00:58 2017 (ITnFO)
8
I don't think that's even in play here.
Salem is not the "leader" of the Grimm,
though she may have partially tamed the uprated grim she's making in the pit behind her castle.
If she is killed, the Grim remain as a threat. They are endemic to the planet.
Additionally, one of her top minions might very well take up her mantle for whatever goal she has in mind, or their own.
The White Fang continues with, or without Salem, and is arguably far less constrained if she vanishes.
The raiders, led by Yang's Mom are still a problem, though they might be a lesser one if communications are re-established. They are not allied with Salem in any event (it seems).
The political issues, and the Schnee Dust Company continue even in the absence of Salem.
Salem is a big bad and brings together a lot of disparate evils factions, but she does not appear to be a gordian knot for the worlds problem. Taking her out merely makes the various obnoxious factions independant entities.
Posted by: The Brickmuppet at Tue Feb 21 16:56:34 2017 (KicmI)
1
So where can I find Star Blazers 2199? Youtube seems to have nothing but short clips, and Crunchyroll doesn't have it, either, unless my searching was bad.
Posted by: RickC at Mon Jan 9 20:55:46 2017 (ITnFO)
OK, I Sit Corrected
In my last pompous disquisition upon this season of RWBY I prattled on for about 150 words about how the CGI fight animation/choreography was not as good as those of the earlier seasons.
Yeah.
About that...
It does appear that my argument has been invalidated by recent developments.
Monty would be proud of these people.
As for the non-FX aspects of this episode.
Wow.
This was not filler.
We find out what's going on with Checkov's farmhand.
There's been this random farmboy named Oscar who talks to himself and who we've been seeing periodically for no readily apparent reason. Well, it appears that he has no connection to anything going on in the story...except that he's now possessed by the ghost of Ozpin who is trying to convince the Oscar that A: Oscar's not insane and B: He really needs to go to Haven (the ultimate goal of Ruby's party)
Weiss announces that she's leaving to take Ironwood up on his offer. In response, she gets beaten by her father, learns that she's been stripped of her inheritance, that she has been declared mentally incompetent and that she's now essentially a prisoner and will remain so until she breaks. After realizing the sheer depth of the betrayal that she's suffered and receiving yet another emotional gut punch,Weiss has herself a rather perfunctory cry....that, amusingly, lasts about 6 seconds.
You see, this is not the spoiled debutante that began the series...Weiss is a character that has developed beyond all expectations.
There is the little matter of the aforementioned fight. Catching him in mid-gloat, Ruby does force Tyrian to withdraw...but only after indirectly causing a grave injury to Qrow, who with what appears to be a mortal wound attempts to let Ruby, Jaune, Ren and Nora in on what's going o....
Roll Credits
Every aspect of the three ring circus that was this episode was consequential and full of surprises. Even the quiet conversations, far removed from the cares of the world keep one on the edge of their seats.
I remain surprised at just how impressive that Weiss, of all people, has become.
This show still has five or six more episodes to screw everything up, but as of now RWBY remains first rate.
RWBY Series 4 Mid-Season Thoughts
In the two months since our last review, RWBY has moved right along. The production values continue to be superb.
The backgrounds, once akin to a '50s UPA cartoon, are now awe-inspiring at times and the animation is consistently top-notch.
I sure hope he doesn't...drop the map.
We've now had a bit of time with all four girls of the eponymous team (who are now on different continents).
It's kind of refreshing to see Ruby be the main character in her own show for a change. Most of the action has continued following Ruby, Jaune, Nora and Ren as they trudge across the wilderness on their way to a city where they expect to find answers to the conspiracy against them....unaware that that conspiracy is stalking them.
A few surprising facts have been revealed.
A charity concert for the devastated Kingdom of Vale...but probably not the lyrics she was given to sing. It was always unclear why a racist, rich, entitled, debutante made the career choice that she did 3 years ago. Weiss in particular has already come a really long way as a character, but now we get a better idea of her background and motivations...and that she must be an uncommonly good person given her upbringing. She has yet more awesome up her sleeve...
:Qrow has, in fact been following our heroes and has been taking out a goodly number of the grim they would have had to deal with.
:Yang's mom is, as was suspected, alive and was the teleporting terror who saved Yang's bacon back in season two. Unexpectedly, she's not just an absentee mother, she's the leader of a clan of murderous brigands who loathes her brother (Qrow) for abandoning the tribe to pursue altruistic ends (that presumably include hunting down murderous brigands). She abandoned her daughter when she was appointed head of the tribe. It seems that this clan is the one responsible not only for some of the devastated villages our heroes have encountered, but was responsible for killing Ren's as well as Nora's towns. She is interested in any info Qrow might have on the threat to the world, since a destroyed world might not be pillageable.
Also: That necklace...
:FINALLY!
:The most common written language in Remnant is faux-katakana.
:Tyrian, the member of the council of calamitous villainy who most seems to enjoy his job, was, back in episode 1, given the job of bringing in Ruby for study, sans her eyes if necessary. He was speciffically instructed not to do ANYTHING else. When he arrives and engages RNGR, he pauses for a moment and looks at Jaune in astonishment....muttering to him ruefully that he finds the boy very interesting, but is forbidden from deviating from his current task, which he proceeds to pursue with gusto...which is where the show stands at the moment.
:Professor's Oobleck and Port actually have eyes.
:Oh yeah. It looks like Blake and Sun while trying to avoid any trouble have managed to get themselves in at least as much as Ruby and company.
...some of which may not, strictly speaking, end up being vital to the plot.
This remains a remarkably solid show. It's hard to recommend to someone who hasn't seen it since the first and to a lesser extent the second season are of so much lower quality they are hard to watch now. However the first two seasons are short and the continual upgrades the show goes through are a joy to watch.
For those who stopped watching after...all that stuff...that happened at the end of last season, I do recommend that you set aside 72 minutes of your time to catch up on this season.
The one very minor criticism I think I touched on in an earlier post is that the fight scenes don't QUITE match the spectacular choreography that the late Monty Oum used to such effect early on. Compare this scene from season one which had a shoestring budget and a staff of about 15 that were just learning their craft to this one from last month, which enjoys a larger budget and a staff that has amassed tremendous experience. The second fight is not bad at all and the overall quality of the more recent episodes is absolutely spectacular, but despite the limited budget and resources, Monty Oum's choreography had a sense of dynamism and movement (and while physics is too strong a word, there was no jarring sense that it had been discarded). It is that last bit that his successors, despite their considerable skill, don't quite get yet. This is a very minor quibble but it goes to show that Oum was indeed a singular talent.
That most quibbly of quibbles aside; at the midway point this season is excellent. Despite the dark ending of last season and the frightful repercussions thereof, the show has managed to avoid becoming a bleak misery-fest and, due mainly to the pluck of the characters, it manages to maintain a basically upbeat tone until now.
It is not simply a re-hash of previous plots in the franchise.
It is also completely devoid of infuriating Mary Sues who are effortlessly good at everything.
Despite its very different tone and style (It is actually a re-skinned Samurai film....complete with Zatoichi!) this is not a rejection of the franchise, its fans or its conceits, but rather a labor of love in homage to the whole kit and kaboodle, complete with geeky references to the trilogy, the prequels and the TV series of the sort that were cute but awkward in the prequels. Here they are done masterfully.
Likewise the female lead is an action girl done exactly right.
The movie's effects are everything one would expect from a Star Wars film done by Disney...and more. This is a gorgeous film with visuals that even by today's standards are stunning and it breaks new ground in FX as well as necromancy (which, upon reflection, I'm pretty sure is a Sith art).
This is a story about desperate bitter people in a dark time who are not all that nice who are at the end of their rope while those they look to for guidance are giving in to despair.
Rogue One is also a story of honor, redemption, hope and courage that manages to be uplifting and inspiring despite its gritty take on the Star Wars universe. This is a beautiful and awesome film that fits in perfectly to the Star Wars canon without the sense of forcing the issue that permeated the prequels.
I also note that almost NONE of the scenes in the trailers appear in the film, (at least as they are shot for the trailers) and this is a very different sort of film than the trailers promise. Quite possibly a better one.
I further note that all they REALLY needed to do to succeed was to flesh this out:
"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil GALACTIC EMPIRE.
During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.
Pursued by the Empire's sinister agents, Princess Leia races home aboard her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy...."
They did.
My only gripe is that the score is not anywhere near as epic as one expects from a Star Wars film, except where John Williams pieces are dusted off and used. This is not as egregious as it normally would be given that this is a very different sort of story.
1
Good to hear, it could so easily have gone horribly wrong.
Posted by: Pixy Misa at Tue Dec 20 10:58:47 2016 (PiXy!)
2
I may ruffle feathers, but I think it has set the standard as the best of the SW movies; even better than TESB. Why do I say that?
Simple -- TESB suffers from being the middle movie, with a couple of major unresolved plot points at the end. (Solo captured, "there is another"). At the time, we were all disappointed by the first and intrigued by the second. It was only in retrospect, after the third movie, that fans enshrined the second; moreso after the godawful prequel trilogy.
Rogue suffers a bit from not having a fight near the beginning -- but it's an espionage movie (until it goes full Action/Adventure), and that would have actually hurt it more, I think. So, yes, its slow, but I didn't feel like it was because I'd been warned, and adjusted my expectations.
During the final fight, there was an ebb and flow to the battle, and certain objectives the Rebels had to meet. I was telling myself, "This isn't a pure SW movie; it's a WWII movie -- and then another commentator identified the exact movie: It's the Dirty Dozen. With the caveat that these guys are all volunteers, yes it is.
Posted by: ubu at Tue Dec 20 12:36:21 2016 (SlLGE)
1
That was weird and creepy.
Also, they didn't explain the wartime genetic engineering of animals....
Posted by: Suburbanbanshee at Mon Dec 5 20:39:58 2016 (S0Svy)
2
I though that I might be the last person in the USA who remembers <i>Rock and Rule</i>. I'm glad to learn that I was wrong.
"My Name is Mok", music video: https://youtu.be/Ndfosrud75A
Posted by: Blue Crab at Tue Dec 6 15:47:17 2016 (+156S)
What would you do if you could change one thing about the past; if you could undo one action (or inaction) that had precipitated a cruelty that's caused heartbreak and torment all the days since then?
Would such a miracle, picking at that central thread of a person's life, unravel the tapestry of events that created who that person is (or was)?
Would it reduce formerly dynamic and driven people to directionless husks of themselves without any of the things that had inspired them to strive and stand out?
Or would it be awesome....with a giant robot fighting for justice...
that one time.
What if the only sane person you regularly interact with is your evil nemesis, the the leader of the magical autism squad?
" I wonder if this is what hell is like?"
What's it like in hell anyway?
Flip Flappers....I've got no idea what this series is about. But, I'm going with this for now...
This show is cute, it's whimsical, it's high-octane nightmare fuel and it is brilliantly put together.
It is also blazing new trails in the fashion and technology of legwear.
It is NOT however, a reliable, peer reviewed source of information on rabbit anatomy.
Posted by: Pixy Misa at Tue Nov 29 03:07:14 2016 (PiXy!)
2
I'll have to go check it again, last time I ran into the limits of what CR will show me without money. (And considering how long I go without watching things sometimes, money would be poorly spent.).
Posted by: Mauser at Tue Nov 29 22:37:48 2016 (5Ktpu)
Posted by: Don at Tue Nov 29 23:05:44 2016 (iFXhh)
4
There's even fan art of that kinky villainess from the (third?) episode. I actually found out her name from the Gelboro tags, although I've forgotten it now.
Posted by: Mauser at Thu Dec 1 00:26:58 2016 (5Ktpu)
RWBY 4-2
There's no actual action in this episode, but a lot of stuff is established.
Ruby keeps having nightmares about Pyrrha and keeps hearing her voice at night.
Do you remember when the backgrounds were an afterthought if they were present at all?
We do get to see Weiss. Her family life is about what we'd come to expect.
Our heroes reach the village they've been looking for only to find it razed. The lone survivor explains that it was bandits, followed by grimm...and expires. Ren and Nora recognize....something.
Ren and Nora's history has only been alluded to obliquely. It is known that they are both orphans and strongly implied that they are the only survivors of their village(s?).
We do find out what Ruby's been hearing at night.
Jaune's been drilling at night, away from the party, but just within range of Ruby's hearing, using a recording of Pyrrha.
It looks like, in that very bad week for her, before she died when she feared she might "die" in a completely different way, Pyrrha made some videos for Jaune to continue his training without her. This REALLY was a surprisingly poingniant scene, and it made perfect sense, in the context of the show.
It's pretty clear from the title what this show's going to be about...
When two teenage girls trying to make it as real estate speculators in Prohibition era Chicago decide to compete for top prize in a dance contest at a local speakeasy, they manage to run afoul of the mob, some cultists, a Bolshevik plot and an inept gumshoe. Our heroines must cope with bandits, biplanes, and 10,000 bullets as they...
Wait...
That synopsis may not actually be entirely accurate.
Good Grief! This show's title is completely misleading.
OK, I have NO idea what is going on in Flip-Flappers, and can't even make a guess as to the etymology of the title
1
Amazingly, CR is letting me see it in high rez. It is interesting. The style is so loose, it makes me think of some of the really old hand-drawn anime from when I first started watching. (I wanna say Leda or Birth, but it's been so long I can't be sure.).
Posted by: Mauser at Sun Nov 6 20:18:02 2016 (5Ktpu)
2
Okay, that was only the first in high rez. and my, that 3rd one was rather kinky....
They're really not sharing a lot of information with the Audience. Nary an Infodump, and even the scraps of what's going on aren't very informative. I guess they really want us to concentrate on the relationships there.
Posted by: Mauser at Sun Nov 6 22:39:21 2016 (5Ktpu)
RWBY Season 4 Begins
When last we left our intrepid heroes in team RNGR (or JNRR, there is some disagreement on this point) they had struck out across the continent in the hopes of finding out who was behind the destruction of Beacon Academy, and the devastation of Vale.
This episode takes place between 6 and 18 months since the last one and there have been some developments....
For one thing, Cinder's underlings managed to drag her broken, crushed self out of the tower. She's lost an eye, the use of her left arm, is horrifically scarred and can barely speak, but she IS alive. Her employer, Salem, who we met at the end of the last episode has a team of lieutenants worthy of any Sentai villain....at least with regards to disposition.
The other members of the evil council of evil...emote...and it is decided to send one of them to collect Ruby, since silver eyed superpowered women are a potential complication to their plans.
I do note that even Cinder's surviving underlings (two stone cold murderers) are appalled to discover what their employer's employers are capable of.
Meanwhile, our heroes have been doing good deeds, as they've traveled through the countryside. Most recently they agreed to dispose of a.....ummm.....huh.
This is something we haven't seen before, and it's a particularly tough enemy
Really, really tough. Jaune, despite being without so much as his sword, does figure out how to kill the thing, and Ruby exercizes title character privilege to land the killing shot.
During the course of the fight, we do see that both Nora and Ruby have had their weapons upgraded, The reason that was possible for four kids in the wilderness with no resources, is that our heroes, being competent PCs, have been parlaying the good will they've generated in various towns into trade credit at blacksmiths. Jaune was without a sword during the fight because his was in the shop.
He received new armor and had both his sword and shield reinforced. The blacksmith commented on the amazing quality of the metal Jaune gave him to work with...it appears that it was from Pyrrha's armor. He had the shield decorated with Pyrrha's crest. It was only then, that I realized he was wearing a replica of her sash.
And so our heroes are off, unaware that they are being actively pursued by the coalition of evildoers.
This person, despite not a whit of dialog, seems to be significant.
We do learn several things, including the true nature of Pumpkin Pete, but mostly that three years of practice and a major increase in budget allow for a tremendous boost in quality. This looks gorgeous! The fight sequence was much more in the spirit of Monty Oum than the trailer, which I was somewhat critical of. the voice work is still very good and the pacing is excellent.
On the debit side, most of the new additions to the villian side seem to lack the panache of the ones we know, and seem to be mimeographs of cardboard cutouts, though their screen time was brief and that may well change moving forward.
This series went through a dramatic shift in tone and direction at the end of last season to something rather darker than many of its fans had grown accustomed to. That hasn't changed, however it is refreshing to see that the show has not lost its sense of humor or heart. This season is starting off promising.
Note that as I type this, RWBY is not on Crunchyroll's front page, but it is viewable there.
1
Can't emphasize the graphical enhancements enough. I was amazed at just how good it looked. It's not anime quality yet, but it's certainly better than most Adult Swim shows.
Posted by: Wonderduck at Sun Oct 30 12:55:24 2016 (vZvpB)
2
Although to be fair, Rocky and Bullwinkle had better animation than a lot of the Adult Swim shows. Not counting the Anime.
Still, for the best Flash-based animation, nothing comes close to Wakfu.
Posted by: Mauser at Sun Oct 30 21:34:21 2016 (5Ktpu)
3
Okay, having watched 4-1 on the RoosterTeeth site, I have to say the animation IS significantly improved.
I'm not a huge fan of the 4th wall breakage (Or whatever term you use for the giant head or floating letters stuff). I think it's possible to do humor without hanging a flashing neon sign on it.
Does the Big Bad make you think of the woman from the new Star Trek movie?
Theory on Wordless Kid: He saw that whole opening scene in his dream, but has no idea of its significance.
Posted by: Mauser at Sun Oct 30 22:02:34 2016 (5Ktpu)
I haven't watched anything this season. I'm curious about Flip-Flappers, mainly because its name indicates a certain whimsy or at least the potential for something that's entertainingly bad.
4
The necessity of such a ridiculous idea as "proof of age" is made more obvious by the fact that the "clothing" in the video in question is relatively tame. Wouldn't want to be subject to complaints that you're sexually objectifying minors, oh no!
Try this one (no nudity; but may not be appropriate for some workplaces).
5
Some people just mark all their stuff R-18 because they don't want to deal with complaints that item X is too skimpy.
Brick's comment is... in the early days of the industry there was a lot of adult content, but clearly they were massively uncomfortable with porn with identifiable schoolgirls. So a lot of things got "translated" into "colleges" where all the girls happened to wear sailor suits etc. "She's not under 18, honest!" That's mostly fallen by the wayside as the bluenoses pretty much ignore anime (Japan is massively inconvenient to their narratives and thus they usually pretend it doesn't exist.)
The back half of the comment is something that you saw on a lot of domestic porn from fairly recent, where you'd see that kind of disclaimer before the show.
Posted by: Avatar_exADV at Fri Oct 7 12:56:20 2016 (v29Tn)
Some people just mark all their stuff R-18 because they don't want to deal with complaints that item X is too skimpy.
That makes sense. It's kind of inconsistent which one's get it.
Posted by: The Brickmuppet at Fri Oct 7 23:35:00 2016 (KicmI)
7
It used to be that every J track at Amazon was tagged "[Explicit]" - even instrumental ones. Unfortunately, that was actual text in the track title, encoded on MP3, and not even in Comment like "Amazon Song ID: XXXXXX". Fortunately Amazon has moved on from that particular idiocy.
Posted by: Pete Zaitcev at Sat Oct 8 02:23:39 2016 (XOPVE)
Here's the first full length trailer for RWBY Season 4. It first aired at RTX in July and low quality phone cam pirates have been making the rounds since then, so it's a little disappointing that this has no additional footage after all the hype.
Still, it is very impressive in a lot of ways and unlike the fuzzy pirate versions, this gives a very good idea of just how much the production values have improved. Like seasons 2 and three this is a major leap the animation quality of the previous volume.
It's gorgeous, but the choreography is off. Monty Oum went to great lengths to make his fight sequences at least appear to be obeying some laws of physics. Inhumanely dramatic changes in momentum generally had some rationale, either they were the result of recoil, rocket boost, using leverage to redirect momentum or acknowledged wire work as with Blake's kusurigama inspired weapon. In this vid Ruby might as well be supergirl. That sense of movement and mass, and the implication of extreme skill is not present. In any of the "hang-time" movements (though the combat on the ground is pretty satisfactory in that regard). Monty Oum was truly a singular talent, and it is understandable that his sucsessors will go there own way, but this is the thing that stood out from this video...that and the fact that Ruby and Blake's new outfits are REALLY cool.
I also liked the attention to detail with Nora and Ren's hair, which gives a good sense of the passage of time and the little system status icon "Local Area Only" which is a nice reference to the communications situation in the wake of the events at the end of season 3.
Of course production values can be bought. The question is whether the story is any good. I'm hopeful. The last season ended rather jarringly and turned off many people but it was quite effective at surprising it's audience. I found it to be quite pongniant and have been looking forward to the continuation.
The sheer size of the body count was surprising, as well as the life changing traumas several of the characters had inflicted upon them.
Pyrrha's death was hard to watch, but it was one of the best last stands I've seen in a while. She died, quite horribly, but she actually won. Pyrrha had no illusions about facing off against a god, but her goal (clearly stated to Jaune) was to distract Cinder until help arrived. In this she was successful, and she thereby gave the world a chance.
Jaune...Oh man poor Jaune....and yet he is one of the three who follow Ruby on her quest.
The fact that these four whackadoodles are embarking on this fool's errand would seem to indicate that the series, while darker in tone, has not lost its optimism. These are good people, punching above their weight, just farther above their weight than they knew before. They've all failed at one point or another, sometimes with great cost, but they have not given in to despair.
With 19 days to go, it is probably time to review the current status of characters that underwent major changes at the end of last season.
UPDATE: OK...spoiler tag is not working, so the overview of major character developments goes below the fold. Note that sentence, which is an indicator of SPOILERS!
1
I didn't think RT would even do another series. I'm still not sure if they're doing something great, or just don't know what they're doing. Some of the gap between series appears to be explained now, anyway: RWBY looks very different now. Different software, updated models...looks like a ton of upgrades.
In a normal series, I would predict three primary storlines: whatever Blake is doing will be brought back around to giving Yang some motivation; Weiss has to find out what her family is doing which will connect with Penny and possibly Pyrrha (who isn't completely dead); both of which will come back around to connect with Ruby's quest to find out how the world actually works, which will involve learning something important that all the old folks already know and just never bothered to tell any of the kids.
Note: This is Ben's comment. I put his spoilers behind spoiler tags, but could not get it to post in his name.
Posted by: The Brickmuppet at Mon Oct 3 20:30:36 2016 (KicmI)
2
Yeah, the new trailer warranted a massively updated post...
@Ben...I'm pretty sure that
Pyrrha is quite dead. If she does come back it will be as an illusion or somesuch to mess with Jaune. That was a pretty darned heroic death too.
I do wonder about
Penny. I put her in the "perhaps" category because she IS a robot after all. It is at least concievable (though unlikely) that she can be put together again.
On the flip side of this, Qrow appears at the very end of the episode holding something he ought not to have any hope of obtaining (Ozpin's sword) and he then turns into that sinister black raven we've been seeing. One possibility is that turning into a bird is his power, though that doesn't fit the other powers we've seen. Another is that he, has been killed, eaten and is now a disguise worn by Salem or (in the unlikely event she's alive) Cinder.
Posted by: The Brickmuppet at Mon Oct 3 20:50:37 2016 (KicmI)
3
Qrow's not dead, he's just pining for the fjords.
2
Actually, worse than that. "oni" means "ogre". "onii" means "big brother". "onee" means "big sister". Which did you really intend? (I'll be hiding under my bed.)
5
That's complicated.
Ram was one of the most powerful of the Ogre tribe despite having only one horn (Rem WAS one of the weakest, as is normal for a one horned ogre) However she lost her horn in battle and now has very limited abilities. She cannot for instance grow a horn, have her eyes glow, snort sulphurous smoke and conceal a morning-star the size of her head with which to shred opponents with ease. She can cook though, is quite literate and she has clarivoyance.
Posted by: The Brickmuppet at Thu Sep 29 14:55:45 2016 (KicmI)
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