1
I wonder if there's enough time left to wrap up all the dangling plot lines: What is her mom doing now? Who tried to kill/kidnap Marika in the first episode? Who is backing the pirate hunting ship? Who is Iron Beard? What really happened to her father? What are Kane and Misa hiding? Will Marika and Chiaki ever show their true feelings for each other? (OK, probably not, but I can dream...)
Posted by: Siergen at Thu Jun 14 20:06:46 2012 (PuIGa)
BATTLESHIP
After the success of the Transformers and Twister franchises, Hasbro and Universal looked around for some other Hasbro property to monetize. They inexplicably skipped over the cubist masterpiece that could have been Connect 4 The Motion Picture and went with Battleship.
Although the concept is dubious in the extreme, this film is surprisingly entertaining. Imagine what would happen if Irwin Allen and Ishiro Honda had collaborated and had Jerry Bruckheimers special effects staff. THIS! Seriously, it's a late '50s Toho epic with a disaster movies plot structure.
Taylor Kitsch and Japanese A-Lister Tadanobu Asano are the defacto leads playing two naval officers trying to deal with the alien threat. The film puts both the USN and JMSDF in a really good light. Though they get cut to pieces the survivors use their wits and behave in a fairly intelligent manner. My one complaint was Kitsch's character, who was such a screw up at the beginning that it beggers belief he would have made it that far. On the other hand his getting it together is handled pretty well.
The films effects are pretty good , either a lot more practical effects were used than is the norm or the CGI has gotten a lot better. There are surprises, a couple of obligatory "OH NO WAY!"moments and some unlikely coincidences but amazingly, no glaring plot holes.
This film is by no means art, but is rather better than most. I quite enjoyed it.
I watched two more episodes of Mysterious Girlfriend X.
Good grief this is an odd show.
It's wacky.
It's quirky.
It's gross.
Then this happens...
More importantly, a bit after that happens Urabe makes a pronouncement...
Which, in the context of the episode is really disturbing.
Possibilities:
1: SHE'S AN ALIEN
2: Souvlaki keeps a log of these things and she secretly read it.
3: She's a witch.
4: Souvlaki will soon discover that his quiet high-school life is shattered when Urabe reveals that he has been chosen to pilot a GIANT ROBOT.
Three episodes in, laughs are still outnumbering gag reflexes, but WTFs are catching up to both. I am now quite thoroughly intrigued.
UPDATE: Mauser is doing an in-depth play-by-play and discussion for each episode of this madness. The first installment is here. (spoiler alert)
Falling Short is not the Same as Scewing Up
Leadership can be thankless.
Even if one does everything right...
Even if one has a superb staff, excellent kit, a clever and thoroughly solid plan that one executes admirably...
The enemy ALWAYS gets a vote...
Oh my.
Someone is hunting pirates.
Marika, while juggling her various responsibilities, comes up with a cunning plan to deal with both the ships legal issues (to maintain their Letter of Marque they need to do something piratical in the near future) as well as the issue at hand.
In a nutshell, She gets the insurance company to hire the BentenMaru to escort...another privateer, and its escorts, thereby increasing the available firepower in hopes of deterring or trapping whoever is hunting pirates.
Unfortunately, the threat is... quite unexpected.
Whatever they are dealing with has what appears to be a technological advantage measured in decades and more firepower than some of the fleets we've seen in previous episodes.
Then THIS happens...
What..in the hell? Why is the Narrator here?
A couple of questions/observations:
It is revealed in this episode that most of us were wrong about BentenMaru's place on the scale of pirates...far from being near the top in firepower, it turns out that she is near the bottom and very nearly too weak to have been granted a letter. This seems significant since it indicates that S.O.M. is only granting Letters of Marque to substantial naval vessels. This dovetails into the revelation that...
Stone has an impressive little fleet built around Big Catch. I gather that these 3 other vessels (Which look to be armed merchants) fall under Stones' Letter of Marque. Silver Fox had two support vessels as well, this ads two new dimensions to the privateers:
First: they are a more formidable force than the number of active letters would indicate.
Second, the operating costs for stones little flotilla must be huge. One wonders what jobs he has been doing that allow him to finance this.
I do wonder if the firepower rating of the vessels mentioned above is aggregate firepower...that is, is the BentenMaru ranked near the bottom because she has no other ships under contract?
In the previews the crazy masked narrator appears to be a hologram...I wonder if his ship is
I'm wondering if the Pirate Hunter ship is from the Galactic Empire. Perhaps they are tired of the grey area that the pirates represent. A related thought...are the Galactic Empire aliens?
Is the crazy masked narrator allied or opposing the pirate hunter....or is this some sort of false flag operation?
What is Kane hiding?
Numerous people have remarked about the methodical pacing of Bodacious Space Pirates.
That pacing really comes to the fore in this installment. After last weeks action packed previews and the episodes rather jarring teaser the story switches gears abruptly to move at a quite leisurely clip.
Marika formulates her plan, there are
character expositions and various background points are clarified. In any other show a build up this gradual would drag unbearably, yet here, every little bit of what seems at first glance to be padding is structure. Every bit of it matters, if not to the plot, then to the characterizations.
When it finally happens, the action is that much more satisfying.
Of course, I'm not sure if my high opinion of this kids show speaks more negatively of US television or me.
It's not that Bentenmaru is almost too weak to be granted a Letter of Marque. It's that ships weaker than Bentenmaru got destroyed or their crews gave up.
Sentai Filmworks is confirmed as the licensor for Fate/Stay Night Unlimited Blade Works
Aniplex will take pre-orders for the second volume of Fate/zero on
Blu-Ray starting June 1st for release on September 9th simultaneously
with the Japanese release
Bakemonogatari will be receiving a new sub only boxset release this
Fall on Blu-Ray with no plans to dub either it or the sequel series
Nisemonogatari. Unfortunately, there are also no plans to stream
Bakemonogatari.
Aniplex does not have plans to go back and dub either Blue Exorcist or Fate/Zero
OreImo will be re-released later this summer in a lower-priced DVD edition
Baccano will be re-released following its previous limited Blu-Ray box release
Kara no Kyoukai/Garden of Sinners will be released in a new limited edition DVD boxset this Fa
There is a bit of good news in that Sentai did indeed get UlBW. They have announced a Bang Zoom dub which speaks well of their finances and confidence in the market.
However, In the rest of the announcements I note the continued trend in avoiding dubs. While this is of little direct concern to many of our readers it means that the current plan does seem to be to skip the US Distributors and simply release Subtitled Japanese Blue Rays at... Japanese prices.
US Anime is doomed!...must..tweet...everybody!
Ubu saw this coming a while back, and while it is indeed a big FU to the US fans it is not entirely out of the blue.
The Japanese prices are insane and, I believe, counter-productive even to their domestic market in the
long term, but they are, in part, a response to the huge piracy issue, the
shrinking domestic market (which the prices help to shrink) and the fact
that the Japanese companies have the additional overhead of producing
the product (US and other overseas distributors just have licensing, distribution and occasionally dubbing ).
I would be very surprised if a lot of
the licensing was not discontinued in favor of just the subtitle track.
The total sales would drop but a few hundred or a couple of thousand
sales total would make what they'd get from licensing with an option for
more if it was a runaway hit. If there is licensing in the future it
might well be restricted to dub only in the future to kill re-imports.
Of course they'll also kill off most of the legit market here because 700 dollars (350 per season) for a series is stark raving cuckoo for cocoa puffs.
The Japanese prices also make clear one reason why collector Otaku are
thought of poorly in Japan. The hobby there takes as much money as a
heroin habit. Someone who indulges in it there is either rich beyond the
dreams of Avarice or has some seriously screwed up priorities.
1
The Japanese prices predate widespread piracy, and are more cause than effect. It's the same model the US had when home video started; their distributors and retailers just successfully lobbied to preserve it.
The good news is that attempts to sell sub-only BDs at Japanese prices will bomb miserably, with all of those overpriced discs ending up heavily discounted at Amazon (something that Amazon Japan can't do, another piece of the puzzle...).
I just checked, and most of the Japanese DVDs of G-on Riders are still selling for ¥6000 new at Amazon. Used ones are ¥1 plus shipping, and Marketplace dealers can call them "new" at ¥500, but if it's in stock at Amazon, they can't sell it for a realistic price.
-j
Posted by: J Greely at Mon May 28 13:05:16 2012 (2XtN5)
2
True about them always being expensive but it is my understanding that this got a lot worse in the last decade or so. That may be whining on the part of fans though.
It's true too that in the US VHS and Beta were initially very high
(60-100 dollars a pop) at the insistence of the studios but in the US
prices came down rather quickly. In Japan, not so much.
Posted by: The Brickmuppet at Mon May 28 13:23:09 2012 (EJaOX)
3
I bought 3 of the Yamato movies on VHS back around 1985. IIRC, they were about $150 apiece. Current prices, seem to be about about the same or actually a little cheaper. Taking inflation into account, prices definitely seem to have dropped. Which just means prices are slightly less outrageous.
Now that subs on Japanese disks are beginning to appear more frequently, I'll CONSIDER buying them, but ONLY where I already know it's something I'm going to enjoy & watch more than once. Not many people are going to sample anything at those prices.
I've seen over & over that (for the most part) Japanese execs just don't understand the US market. They keep expecting it to behave like the Japanese market & keep being surprised when it doesn't.
Posted by: Uncle Willie at Mon May 28 19:40:51 2012 (xZueN)
UW, that's not the issue. The issue is that they don't really care about the US market. They can't afford to care about it.
Their great fear is reimportation. If they sell BDs at high price in Japan, and essentially-identical BDs much more cheaply here, then Japanese fans will buy North American BDs instead. The result would be less income for the studios.
Their financial model is a mess, and in the long run is probably unsustainable. But trying to move to a more rational one would result in lower income in the short run, and studios going under.
5
For what it's worth, most of the Aniplex releases mentioned in the news story you quoted are not (or almost certainly will not be) Japanese priced. The only one fitting that description is Fate/zero. OreImo, Baccano, and Blue Exorcist have already been released at prices which, while somewhat higher than the current R1 standard, do not remotely approach what you'd pay for the equivalent Japanese release. Bakemonogatari and Nisemonogatari will likely get similar treatment; the fact that the Japanese boxset for Bake has no English subs precludes a Fate/zero-style release, and I'd expect Nise to follow suit.
Kara no Kyoukai is interesting because the Blu-ray boxset released in early 2011 was Aniplex's first attempt at the sort of release you're deriding here--$400 for an imported Japanese boxset of all seven movies with English subs. It sold out on both sides of the Pacific in a matter of weeks, and now they're re-releasing it on DVD at a lower price point. Perhaps they'll do the same for Fate/zero a year or so from now?
Posted by: Andrew F. at Mon May 28 21:37:33 2012 (975Ae)
6
@ Uncle Willie: Yeah, back in the '80s the prices were hideous. They were only a little better in the early '90s.
However, I was told by Japanese fans in '09 and '10 that the prices went up quite a bit recently. I'm not sure how much they meant and my sample size was small... It could also just be fans kibitzing.
@ Steven:
You'r points about re-importation are absolutely valid but Uncle Willie is right. They don't grok how the US market can possibly work, which is part of the reason they are in a mess.
@ Andrew F: Good info on the other prices. Thanks! Though upon reflection Kara no Kyoukai selling out does not bode well for us.
Posted by: The Brickmuppet at Tue May 29 08:44:35 2012 (EJaOX)
7
"Selling out" in the US means what, I wonder? My feeling was they put somewhere between 50 and 300 units into the hands of their North American distributor, but I don't have the hard numbers on that. There is a small group of American fanboys for whom money literally means nothing; apparently there's enough of them to clear the market at that level of inventory.
Nobody can be making much money at that sort of volume, it's basically the same sort of business that they'd normally do with importers. The people buying those Kara no Kyoukai sets are the same people who pay Japanese prices along with the actual in-country otaku, via pre-order, ahead of time. I'd guess that a plurality of these doofs hang out on the R2 forums at Fandom Post and Mania.com.
My feeling is that the Aniplex/NIS America model is deeply unhealthy - it's a pact between obsessives willing to overpay, and companies uninterested in doing the marketing work to deal with non-obsessive fans and the general public.
Posted by: Mitch H. at Tue May 29 09:17:39 2012 (jwKxK)
In Defense of the Indefensable
I have a confession to make.
I...
I...
I actually liked High School of the Dead.
I may be the only human being for whom that is true.
Allow me to defend this most indefensible of opinions.
First, it must be acknowledged that most of the criticisms of this show have valid points. The fan service is a bit over the top. I sure as hell could have done without the damned panty shots. It is a grim show. It is aggressively and flamboyantly excessive. It is disrespectful to physics.
Physics and her friend Anatomy called...They're pissed!#
All that being said this show has some real strengths.
The early episodes in particular do a better job than many zombie movies (even Romero's own) of conveying the actual horror of the whole zombie apocalypse situation. They handle that bit really well. This is all the more remarkable because of the breakneck pacing of the early episodes. The show manages to combine non-stop action with a sense of genuine dread as the characters realize just what is going on and the implications of it.
It is a horrific show, and at times hard to watch, but the admittedly excessive fan service actually mitigates this somewhat. It is sufficiently silly to act as comic relief and thereby break some of the tension.
In fact, the two most gratuitous episodes regards cheesecake, 6 and 7, (where
the show managed to work in sort of a bathhouse episode), were in some ways the saving grace of the series. Both actually had some neat, even thoughtful, character bits. They also added a bit of humanity and decency that saved the
show from becoming the nihilistic exercise so many stories in this genre are.
The girls take a bath and end up trying out some alcohol..it turned out to be really high octane hard stuff and they get plastered. The boys, despite ample opportunity, do not take
advantage of this.
Hirano, the geek, who started out as inert vegetable matter, then went somewhat to the other extreme of nerd macho wish fulfillment has a neat bit of development here. He grows as a character during the conversation where he and Takeshi discuss the full gravity of the situation. He also is the person who demands that they save the child. "For God sake it's a little girl!"He also realizes at the same time that he is incapable of doing it himself (though he is absolutely vital to the little girls salvation).
They also establish that the show is not actually a harem show with a survivalist theme.
*Takagi is explicity shown to have dropped any torch she might have had for Takeshi and picked up one for ....Hirano(!?)
*The Nurse is not interested in men (this is her girlfriends house).
*The only tension might be between Saeko and Rei, which is unlikely but would lead to the inscrutable question of why bug girl had a chance.
And of course the cheesecake episode ends with the rescue of the little girl. This after much discussion of how things are going to have to be different from this point on and they have to harden themselves and focus on survival and not operate under the same rules anymore.
...all shot to hell by Hirano." But IT'S A LITTLE GIRL GODDAMMIT!"
...who saves everybody's souls right there.
The writers could probably have still accomplished the rescue with the girls taking a moment to get dressed and without the terrified child peeing all over Takeshi...but the little girl is safe so we are happy.
From that point the show becomes not so much a horror show as a show about retaining ones humanity in the midst of a societies collapse. The cheesecake is somewhat toned down in later episodes as well.
In any event the show is never boring.
For all that, I probably would not have liked it had I not first seen the dub, which is superb, and is delivered with the staccato pacing of a Howard Hawks film and with just a bit of snark. The voice acting is really well done Mark Laskowski and Maggie Flecknoe in particular do a superb job. The nurse in the dub has a voice that can grate cheese...but that actually fits. As I type this there's a 12 minute spoileriffic excerpt from ep2 of the dub here which gives a good overview of the pacing of the early episodes.
The show is indeed aggressively and flamboyantly excessive.
It is also, despite it's exceedingly grim nature, a show that manages to be surprisingly upbeat and I frankly found it rather fun.
...and now
Well, now you know that about me.
#Regards...that .gif The bullet is traveling in the vicinity of 2700 feet per second.
The bosoms in question transit back and forth during the time that the projectile passes through the area of
interest and thus are moving at least twice as fast as the bullet
itself. This gives a breast speed of at least 5400fps.
The speed of sound at sea level is roughly 1100fps. 5400 fps is just
under 5 times that or approximately Mach 4.8-Mach 4.9 so a conservative
reading of the available evidence would indicate that in addition to
her levelheadedness, well developed sense of ethics, athleticism and
general competence, Saeko possesses hypersonic tits.
The above analysis was originally posted here....where spoilers and snark dance the tango together.
1I may be the only human being for whom that is true.
If I didn't like it, I wouldn't be doing 2000+ word episodic reviews of each episode. Actually, it was my favorite show of 2010. Maybe not the BEST show, but the one I looked forward to the most.
Posted by: Wonderduck at Mon May 28 07:36:13 2012 (q2lfL)
It muddled along as a moderately enjoyable collection of random events until suddenly...
It all began to come together.
Why is she wearing her pirate hat in the dingy?.Oh never mind..
Every random bit is there for a reason, either to ad to the plot, or distract from it or provide nice character continuity.
This episode is a rollicking good time but it is has a much darker edge than earlier ones. This is a real battle and in the worst possible circumstances.
I like the fact that they understand that each system has its own constellations...and I really liked how Ai had her crowning moment of awesome.
The bit with Gruier firing the starting shot was a nice touch too.
The confusion in the early part of the episode was a nice distraction.
In the previous episode the insurance company got that something worrying but vague was up with security at the race. Show offered them the BentenMaru which they took. However, the security worries caused the race organizers to think of and focus on the Hanakoh Acadamy girls which is somewhat understandable given the total screw up the school had been 5 years prior....which nicely dovetailed into Lynns past too.
Of course the security issue turned out to be the fact that a criminal organization had got wind of Marika being at the race and had sent assassins to kill her. Between the confusion revolving around the blinkered chairwoman and the Coronal Mass Ejection the plot was missed until Kane uncovered it...just too late.
Or it would have been if the CME had not screwed with the goons fire control system too preventing them from killing dozens of school girls.
(The thug has to make adjustments after he fired wildly into nothing... but by that time Marika and the crazywoman were buzzing him and Chikaki was herding the others out. )
Oh and the VILLAINY!
"We don't no WHAT our target is so...screw it, we'll just kill all the school girls."
Next episode looks really interesting but darker still.
This show really exemplifies why Japanese kids shows are sometimes more satisfying than many American live action dramas. These kids are striving to be adults. They don't always succeed at that (they are kids) but they have goals and dreams and they generally behave as young adults. They take their responsibilities seriously. In a lot of contemporary shows here the adults are trying desperately to avoid responsibility, whine a lot and generally act like kids.
Also this show has space battles, dogfights...and silly pirate hats that make perfect sense in context.
Oh..So There's a Fetish for That
I probably could have led a happy, prosperous and productive life and never known that....but didn't so I do.
Mysterious Girlfriend X is a perversely engaging show. I'm not sure I'll be able to get past the squick factor, but I laughed out loud several times.
Certainly it delivers at least part of what it promises in that there is a girlfriend and she is sure as hell mysterious.
Not Pictured: Her exceedingly sexy voice.
Urabe is the quintessential mysterious transfer student and seems to have a rather traumatic past...
What the hell? Is he dating Nevada Tan?
She's a bit odd; not a typical space cadet in that she seems to be aware and a decent student, just not very sociable, a little awkward and apparently sleep deprived. She's really kind of interesting in the same way our hero protagonist is not...
Souvlaki here is well named as he appears to be just a random piece of animated meat whose job is to be enough of a cypher that salivapheliacs of all walks of life will be able to relate to him.
"Excuse me. My name is Tsubaki."
Anyway...
The two end up sitting next to each other and after a while romance blossoms oozes between them.
It is a very off-beat and rather cute show.
There is also drool...rather a LOT of drool.
I nearly wretched twice.
I laughed out loud 4 times..once while almost wretching.
Thus I find myself conflicted but holding at 2 to 1 in favor of continuing the series.
1
Actually, in my experience young children are very good memorizing anything that interests them, including (but not limited to) long scenes from cartoons they like. For example, back in the 80's one of my friends asked a co-worker to baby-sit his pre-school son. She dozed off on the couch, and woke up late at night to see the boy standing next to her with his arms raised, emphatically re-enacting a scene from Thundercats.
Posted by: Siergen at Tue May 8 21:40:50 2012 (3/gGt)
Earnestly Paving The Road to Hell
Magical girl shows:
Someone has given ENTIRELY too much thought to the concept.
I'd long heard that Puella Magi Madoka Magica was good.
But...
It's a magical girl show
I'm 42.
I'm a dude.
To say I have little interest in the genre is an understatement. It was, therefore, rather far down on my to watch list.
I was particularly afraid that it was going to be a creepy underage cheesecake vehicle.
Oh my!
It's not. It's creepy in an entirely different way! Six episodes in I'm finding this to be an an intelligent, albeit rather disturbing show that raises a lot of questions. Those include hard questions about ethics as well as questions about who the HELL the target audience is.
The character designs and animation are nothing to write home about but the art direction and writing is really inspired. Set in the near future (as envisioned by Corning it would seem) the backgrounds are gorgeous and imaginative. This contrasts jarringly with moments of frightening otherworldlieness that come off as downright Lovecraftian.
The story is excellent thus far and is consistently surprising. This show has quite important things to say....Be advised though, it goes to some very dark places.
I'm hoping against hope that they can keep this up for the last half of the show. At the midway point I'm inclined to recommend it highly.
2
Can you elaborate on that, Steven, or is it tied up in spoilers? I've seen the show, but I can't say I remember anything explicit which might explain the high-tech, ultra-Bauhaus futurism of the architecture. Aside from "it's the near-future, and Japan". If anything, I find the glass-birdhouse architecture creepier than the witches' labyrinths. Especially that whitened-sepulcher ziggurat of a rooftop that Kyubey uses for his please-become-a-magical-girl seduction scenes.
Posted by: Mitch H. at Sat May 5 08:16:37 2012 (j/OI0)
3
Never send to know for whom the show is targeted...
Posted by: Pixy Misa at Sat May 5 11:40:51 2012 (PiXy!)
Well, it's a huge spoiler. Brickmuppet, don't read this until you've finished the show.
The world as it is in this show is the cumulative result of the wishes of many magical girls over millenia. Most of the wishes made by magical girls were local or otherwise inconsequential, but some of them changed the course of history, helping to advance the human race technologically or culturally.
But because it was girls making those wishes, the resulting path isn't really what you would expect without that interference. So the architecture is a lot different, because it's the result of what some girls wished for.
And this has been happening for so long, in so many ways, that essentially everything has been changed. That's why things like the character designs look unreal: they are unreal. It's a consensus fantasy created by magical girls over the centuries.
Never send to know for whom the show is targeted...
I'm sorry WHAT?
Posted by: The Brickmuppet at Sun May 6 00:28:21 2012 (EJaOX)
10
RE: Steven in comments 1 and 4.
Yes. That was subtle and it does follow perfectly. I'm not sure I'd extend to to the character designs though.
1: I generally HAET time travel cop outs but Honami's Groundhog Day gambit completely worked and tied everything together. Given the concentration of timelines evident in Madoka I'm not sure why she was not superpowerful at the end too.
2: What the hell Sayaka?
3: Strict Utilitarianism is a surer path to hell than the good intentions it twists to its own ends.
Posted by: The Brickmuppet at Sun May 6 00:54:15 2012 (EJaOX)
11
Oh wait...
Honami doesn't develop any real ranged attacks aside from firearms and light artillery so they would not improve. Also the time travel ability seems to improve over time so that explains that.
Posted by: The Brickmuppet at Sun May 6 00:58:32 2012 (EJaOX)
12
Muppet, since I couldn't seem to answer the text you sent me Friday evening:
Yes, this is SHAFT being its SHAFTiest.
Sorta loses its punch now that you've seen the whole thing, but there you go.
Posted by: Wonderduck at Sun May 6 00:59:49 2012 (6CHh4)
13
Just for the record: it isn't Honami, it's Homura.
No show is an island, entire of itself; every one is a piece of the medium, a part of the main. If an episode be washed away by the censors, Anime is the less, as well as if a season were, as well as if a DVD of thy friend's or of thine own were: any show's cancellation diminishes me, because I am involved in otakudom, and therefore never send to know for whom the show is targeted; it is targeted for thee.
Posted by: Pixy Misa at Sun May 6 12:35:27 2012 (PiXy!)
16
This article was the tipping point, off to Baka BT I went...
...ok, yeah, that was creepy. I suspect my daughter is going to love this.
Posted by: Douglas Oosting at Thu May 10 00:26:53 2012 (N9Lwt)
The Hakuoh Pirates' First Job
This episode of Bodacious Space Pirates was largely humorous with less adventure and more silliness than usual. There was a
serious point though.There are no longer ANY training wheels. Marika is well and truly in
command now. She OWNS this, and although she has a solid XO there is really no
one to fall back on.
Also: I didn't see this coming.
The XO is shocked too!At what, we won't tell.
Bodacious Space Pirates really is an intriguing show. Set in the FAR FARFAR future, the story of a 16 year old girl, who due to an unlikely set of circumstances,* ends up in charge of an interstellar privateer is obviously a thing of whimsy. However, it is surprisingly down to earth and thoughtful in other ways.
One of the things that has impressed me is that it actually deals with leadership. I mentioned in an earlier post that Marika, the young CO, was initially thrown into a position not unlike that of a green ensign or
"90 day wonder". That is, she had considerable skill, but zero experience and found herself in command of a small unit, virtually every
member of which has been doing their jobs far longer than her. She
had to learn to delegate, take advice and cope with the fact that the
buck stops with her. It is upon her decisions that the crew will
live or die (or go bankrupt...the privateer is a business after all). This has been handled with far more intelligence and subtly
than one has any right to expect from a sci-fi cartoon.
Now they've turned this on its head and Marika is in a situation where SHE is the veteran and has to train, mentor and direct people who, while they are volunteers, have very rudimentary training, and not all of them have gotten their heads around the fact that this is a real job, and not just a lark. Marika and her acting XO handle this quite well. The writing on this is impressive. It's like 12 O'Clock High with zap guns.
This show has a 16 year old female protagonist and it is (very occasionally) set in a high school, and yet it is not a teen angst show, or a show about slacking or raging against an unfair world.
If I had a daughter, I'd want her to watch this.
This show actually has a lot in common with Heinlein's juvies in that it's is aspirational. Marika is a young adult who is dealing with life's challenges as an adult. She does not run from her responsibilities, and while she takes them seriously she does so with good humor.
...and humor is an important thing to have when things go all higgly piggly...
...Because you fight your wars with the uniforms you have.
It turns out that the Letter of Marque requires the pirate ships go a-piratin' at certain set intervals. Due to a biohazard incident while Marika was off the ship, the entire crew is in Quarantine. In order to keep the letter Marika must pull off one piratical job...but she needs a crew.
Her solution is crazy, but inspired.
Quite aside from all that, the premise is pretty clever....
The treaty loophole** that allows the planet to keep highly regulated privateers as naval auxiliaries, combined with the "official" synergy between the insurance companies, the Cruise Lines and the Privateers...is just inspired.
The action is superb, the characters are likeable and 16 episodes in we haven't had a
single upskirt shot yet. I'm quite impressed.
UPDATE: Slightly spoilerish explanations for * and ** added below the fold.
1
I was shocked at that surprise as well (my jaw literally dropped open).
As to that "treaty loophole" that keeps the privateers running, I do wonder if the author/planetary government plans for a more militaristic role for them in the future. The regular crew does seem to be fully capable of real small arms combat, and the ship has full-power anti-ship armaments. None of that seems to be needed for their usual jobs....
Posted by: Siergen at Sat Apr 28 21:05:01 2012 (3/gGt)
Haiyore! Nyaruko-san
I'm not really keen on magical girlfriend shows, but when the magical girlfriend is Nyarlathotep I've got to watch at least one.
This was much better than it ought to have been. I ended up watching both of the episodes that have aired as of tonight and I'll add it to my list. The shows premise is that the Lovecraft Mythos is real, but Lovecraft, perhaps because he was a paranoid bigot , got a lot of stuff wrong. The magical girlfriend (seen holding the blasphemous, baleful big-gulp above) is Nyaruko, an alien. Nyarlathotep is actually the name of her race. She claims to be an intergalactic cop who's been in Tokyo trying to disrupt the lucrative hentai smuggling trade (Tentacle pr0n is popular with several mythos races. Who'd've thunk it?), She claims to have then stumbled onto a related slavery operation that involves a plot to kidnap a fellow named Mihiro Yasaka for ghastly and indescribable purposes. With the help of an "unspeakable tire iron" she saves him from several night-gaunts (which Lovecraft was largely right about) and proceeds to inform him that to keep him safe she'll have to move in with him...and he istotally her type.
Cyclopean hijinks ensue.
This show made me laugh out loud. I'm very surprised that they got so many mythos jokes to cross the language barrier. It's a fun show that uses the 'shotgun method' of humor and aims at targets far removed from Lovecraft as well. Despite the implied love dodecahedron in the credits it appears to actually involve a love...umm...line and not be a harem show.
Of course its geometry is less Euclidian in other areas.
Be advised though that It manages to be at once quite clever and bone-crushingly stupid ...which in itself risks some san loss.
An abominable, aberrant, anomalous, appalling, atrocious, and animated alien ahoge!
The first 10 minutes of Yamato 2199 have been previewed on Japanese TV. This remake of the 1974 series is going to be a series of 7 THEATRICAL releases over the next year or two. Interestingly, aside from the possibility of other specials there won't be a TV release for at least 2 years.
Be sure to hit "CC" for the subtitles! And hit the fullscreen option to enbigulate. It's a good quality clip.
A few quick observations:
This is a BEAUTIFUL piece of work. They really put a lot of effort into the battle of Pluto,which was, in the original series, just a throwaway bit of exposition. The whole sequence of events is better thought out.... and the suicidal tactics of the earth fleet makes a good deal of sense. The blockade runner had contacted earth prior to its arrival and the action at Pluto was a Pyrrhic feint. I liked The end of the Yukikaze a lot better here than in the original. In fact this bit of dialog is closer to that in Starblazers. (see here) This was not a fit of vanity or pride but a bitter decision.
Fans of Starblazers will note a lot of characters from series two (and the Yamato movies as well)...which answers the question that fans always asked...namely WHERE WERE THESE PEOPLE?
This is AWESOME!
There is a new trailer out for Ridley Scott's Prometheus. This looks cool too!
From what I gather, these "movies" are just the eventual TV episodes edited together. The first is the first two episodes & the others will each consist of 4 episodes. I also gather the "theatrical" release is pretty limited. The first blu ray release is the end of May & it it will be subtitled in English. The US & Japan are both Region A, so there wont even be any region coding issues. I'll be pre-ordering this.
Midori Kanda and FriendsSadly, no...There is no Gai Rei series.
There is, however, a particularly awesome group of cosplayers....
Siergen, this one's for you.
Also, I finally figured out how to use fancy Kanji fonts in Paintbrush.
For the sake of posterity the original post is below the fold.
For legal purposes this was all Wonderduck's fault.*
I hope April is good to you all.
*That is my story and I am sticking to it.
Sometimes The Sun is a
loving mother bringing life to the surface of the earth Sometimes
it is a strict father bringing terrible trials. These trials, which have
occurred many times since the creation of the earth have come once
again. The land is dry, the oceans barren, what little life survives is
on the verge of extinction, clinging to the thin atmosphere that
remains. But some still live on in the dry seas of sand....
Thus begins Ozuma (Ozma?) a series set in a post apocalyptic future that has generated some buzz because it's a resurrection of a canceled early-80s Leiji Matsumoto project.
Although the beginning narration doesn't sound fun AT ALL, this show is rather more upbeat than its grim premise would suggest.
This show has a decidedly retro feel.. It's not just Matsumoto's distinctive art style, which is evident both in the characters and the very retro-futuristic mechanical designs, the story is a a throwback in a lot of ways with the dystopic 'future in a desert' so prevalent in the 80's.
In other ways the times have caught up to Matsumoto. He has
generally had strong women to compliment his male leads and this series
is no exception. Despite
the grim backdrop, the characters are pretty likable, even admirable.The show has
a somewhat whimsical, occasionally upbeat feel to it as well.
OZUMA also has a decent, somewhat catchy, theme song....
...In English.
The OP sounds like...my God it sounds like it was translated from Japanese to English to fit the rhythm...(Like several US dubs in the 80's). I feel I should be watching this on a UHF channel in the late afternoon or at, like, six in the morning.
This is actually kind of brilliant!
Two episodes in, things are proceeding at a very decent pace. The story is actually engaging and seems to have a bit of depth to it. I'm really liking it thus far.
A quick collection of spoilers from episode 1 are below the fold.
1
Maya reminds me of a sort of ugly Princess Starsha, and those sand destroyers, with the stubby wings and multiple jet engines, remind me of ekranoplans.
Posted by: RickC at Fri Mar 30 18:33:23 2012 (WQ6Vb)
2
Muppet, have you heard anything about a new Ga-Rei anime? I'm picking up odd little rumors here and there about... something, but nothing I can nail down. You unnerstan Japanese, maybe you can find something?
Posted by: Wonderduck at Fri Mar 30 19:52:50 2012 (AzTWp)
Muppet, have you heard anything about a new Ga-Reianime? I'm picking up odd little rumors here and
there about... something, but nothing I can nail down. You unnerstan
Japanese, maybe you can find something?
Oh MY! Go to Taro's site now!
Posted by: The Brickmuppet at Sun Apr 1 01:09:32 2012 (EJaOX)
Hopeful Liscencing News. Sentai has landed Unlimited Blade Works and K-On! season 2. This is hopeful because it indicates that some of the Bandai properties that were abandoned when Bandai USA dissolved may yet come over. ULBW gives some slim hope that there will be a version of Fate Zero available that is not....350 bucks.
Also the fact that they are putting out to have Bang Zoom do dubs for both is a vote of some confidence in there being a future.
Pursue! Beat them to it! Take a piece of the action!
Just a few observations.
It's really nice to see that Kurihara actually enjoys her work... a lot.
It's somewhat reassuring that princesses are not exempt from child labor laws.
Slower than light generation starships ought not to be making hyperspace jumps.
I predict whining about the weather, as nebulae just aren't that thick. However, they established earlier that our heroes would be inspecting proto-stars and getting perilously close to black holes. The "turbulence" is arguably consistent with those.
Having watched the series thus far in 3 sittings it occurs to me that I've caught up...and need to wait a WHOLE WEEK until I can see more. That sucks.
For those than know not of what I speak...you are sad, deprived, pitiable souls and you have my deepest sympathies.
Here's a hint...
Also,
Serenity's independence is due to the royal family
being..."special". What is so special about the royal genome and why
does the princess act so strongly to the realization that Marika has her
fathers blood? Did the princess specifically seek out the captain of
the BM for his blood?
1
This is a series which will be a whole lot better when it's finished, and can be watched straight through. Virtually every episode so far has left me thinking, "Dammit, I want to watch more right now!!"
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